"Medium Specific: Materiality in 16mm Artists’ Films from Canyon Cinema," in A Century of 16mm. Indiana University Press. (Forthcoming Fall 2026)
"From Creation to Preservation: Film Laboratories in the Moving Image Archiving and Preservation Field," The Moving Image: The Journal of the Association of Moving Image Archivists (Forthcoming)
"Why Do I Make Film Prints?: Margaret Honda," Interview for filmprojection21.org (Feb. 2026): https://www.filmprojection21.org/margaret-honda/(opens in a new tab)
"Photochemical Pedagogy: Film Preservation Education Beyond the Archive," Synoptique: Journal of Film and Moving Image Studies 11, no. 1. (2025): 205-10. https://www.synoptique.ca/_files/ugd/811df8_1a3b777df6bd42508a01517f51b6b32a.pdf(opens in a new tab).
"Why is it There: David Kiehn on the Niles Essanay Silent Film Museum," Screen Slate (Feb. 2024): https://www.screenslate.com/articles/why-it-there-david-kiehn-niles-essanay-silent-film-museum(opens in a new tab)
"From Creation to Preservation: Film Laboratories in the Moving Image Archiving and Preservation Field," Master's thesis, University of California, Los Angeles, 2022. https://escholarship.org/uc/item/6ns501xm(opens in a new tab).
Review of Girl Head: Feminism and Film Materiality by Genevieve Yue. The Moving Image: The Journal of the Association of Moving Image Archivists 22, no. 1 (Spring 2022): 164-66. https://muse.jhu.edu/article/885312(opens in a new tab).
“Indeterminable Frames: Exploring Digital Humanities Approaches and Applications for the Moving Image,” Cinergie – Il Cinema e Le Altre Arti 10, no. 20 (2021): 125–38. https://doi.org/10.6092/issn.2280-9481/13055(opens in a new tab).